论胡应麟诗歌创作理论中的“兼容”特色  

Characteristics of Compatibility of Hu Yinglin's Poetry Theory

作　　者：杨毅鸿[1] 史小军[1] 

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《南昌大学学报（人文社会科学版）》2014年第5期141-146,共6页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：广东省哲学社会科学"十一五"规划项目"明代七子派的接受与被接受"(GD10CZW12)

摘　　要：明代胡应麟的诗学理论是对七子派格调理论的归纳和总结。他的诗歌创作理论体现出"兼容"的特色,主张"体格声调"与"兴象风神"兼容,要求外在的"格调"与诗歌的内在审美风格相结合;提出"法"和"悟"齐备,为兼容"体格声调"和"兴象风神"提供了方法论;又指出"悟"要和"深造"并重,强调了熟习研究前人作品的重要性:这是对七子派的文学复古理论的继承和发展。In the Ming Dynasty, Hu Yinglin＇ s poetry theory is the induction and summary to the theory of poetic style of Qi Zi School. His poetry theory reflects the characteristics of compatibility. He advocated the compatibility of ＂Tige Shengdiao＂ and ＂Xingxiang Fengshen＂. He required the integration of the external style and the intrinsic aesthetic style of poetry. He put forward to the combination of ＂Rule＂ and ＂Comprehension＂, which provided the methodology for the compatibility of ＂Tige Shengdiao＂ and ＂Xingxiang Fengshen＂. He pointed out that we should pay equal attention to ＂Comprehension＂ and ＂Research＂, and emphasized the importance of getting familiar with the predecessors＇ work. This is inheritance and development of the revivalistic theory of literature of Qi Zi School.

关 键 词：胡应麟 诗歌创作理论 兼容 七子派 

分 类 号：I207.227.48[文学—中国文学]