中国古代艳诗辨  

The Erotic Poems Evaluation Changes and Prosperous Period Divided

作　　者：严明[1] 熊啸[1] 

机构地区：[1]上海师范大学人文学院

出　　处：《社会科学》2014年第10期175-183,共9页Journal of Social Sciences

基　　金：国家社科基金重点项目"东亚汉诗史初稿"(项目编号:14AZW007);上海市社科规划课题"东亚汉诗新论"(项目编号:2013BWY005)的阶段性成果

摘　　要：艳诗是指以描写女性之美及男女之情为主的一类诗作。艳诗得名于南朝,并常与艳歌混用。艳歌在最初仅具有音乐上的含义,在发展过程中逐渐丰满和清晰其诗作含义,成为定型的艳诗。历代对于艳诗大致存在着三种评价:一因其无益于教化而加以批判;二肯定其艺术价值;三赋予其比兴美刺的内涵并将其纳入儒家诗论体系,总体而言以第一种评价居多。历代艳诗的发展呈现出三次繁盛,分别是南朝期、中晚唐期和明末清初,延绵不绝形成了一条不断衍变的轨迹。艳诗不仅在中国诗歌史中有着独特的价值与意义,对东亚汉诗的发展也产生了较大影响。Erotic Amorous poem is the one that defined as describing women＇s beauty or expressinglove in male and female. Amorous poem was first named in Southem Dynasties, and always confused bythe concept ＂amorous song＂. In the beginning amorous song was only named by its musical aspect, whilethe aspect of content was possessed gradually. There were approximately three appraisals to amorous poemin past dynasties： 1. Criticism because of its inutility to education. 2. Affirmative opinions due to itsartistic value. 3. It was endowed with the connotation of ＂Bi xing＂ and＂ Mei el＂ and brought into thesystem of Confucian poetic, and the first one was dominant in quantity. There were three thriving periodsof amorous poem during its developing history： Southern Dynasties, Mid and Late Tang Dynasity, MidMing to Late Qing Dynasty. Erotic poem had formed a locus of development and evolvement itself, itsvalue and significance in Chinese history of poetry should be recognized.

关 键 词：艳诗 艳歌 概念衍变 时期划分 

分 类 号：I207.22[文学—中国文学]