《玉簪记》创作探考  

The Creative Exploration of The Story of the Jade Hairpin

作　　者：张晓燕[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2014年第5期81-84,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：《玉簪记》是明代后期著名的喜剧作品,它的创作时间、创作蓝本等引起了学术界的一些争论。文章通过对明清戏曲选本的分析研究,认为剧本以《古今女史》为基础,同时吸收了话本《张于湖传》中的情节创作而成,在《玉簪记》通行本之前有青阳腔本,陈妙常形象经历了从尼姑到道姑的转变。The Story of the Jade Hairpin is a famous comedy in the late Ming Dynasty. Its creation time, creation blueprint caused some controversies in academic circles. Based on the analysis and research on the anthology of Ming and Qing Dynasties, it came into a conclusion that the script is based on Female History Ancient and at Present, while absorbing the vernacular plot in Lake Zhang Yu biographies. Before the ancient text, The Story of the Jade Hairpin had the Qing yang chamber, the image of Chen Miaochang experienced from the nuns to Taoist transformation.

关 键 词：《玉簪记》 戏曲选本 创作年代 故事演变 

分 类 号：I207.3[文学—中国文学]