Philosophy and Fiction Tattoo of the Counter-culture Crossing the Brazilian Dictatorship  

作　　者：Marcus Pereira Novaes Luciano Victor Barros Maluly 

机构地区：[1]University of Campinas, Campinas, Brazil [2]University of Sao Paulo, Sao Paulo, Brazil

出　　处：《Journalism and Mass Communication》2014年第9期565-571,共7页新闻与大众传媒（英文版）

摘　　要：This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that use the humor and the mockery as ways of resistance to interrogate political, philosophical, and moral questions. The concepts of fabulation and the potency of the false will be thought in its connections with the Arts to think the force of this movie with its experimental characteristics （sound, image, performance...） in touching ethics, political, and social problems of the past and update them to think the Brazilian contemporary society. We also want to point out the possibilities of this movie operating a micro-political resistance, using the humor and irony as tools to cause effects in the reality. In Tattoo, the violence （and, the oppression itself） is fought by the tasting and experimentation of another culture providing other ways of life, enabling other effectuations and desires, even if the sanction was going to repress.

关 键 词：philosophy of difference CINEMA fabulation IRONY resistance 

分 类 号：TS251.41[轻工技术与工程—农产品加工及贮藏工程] N02[轻工技术与工程—食品科学与工程]