This paper examines how two contemporary Latin American films—Jayro Bustamante’s La Llorona and Ernesto Contreras’s Sueño en otro idioma—engage with physical and cultural genocide through distinct deployments of f...
Since the founding of the People’s Republic of China,and particularly since the 18th National Congress of the Communist Party of China(CPC),historic achievements have been made under the strong leadership of the CPC ...
In contemporary society,film,as a significant form of cultural expression,bears profound ideological connotations and cultural significance.Religious films,as a distinct genre,serve as crucial avenues for humanity to ...