从《艺术作品的本源》管窥海德格尔后期艺术思想  

Heidegger's Later Artistic Thought Viewed fromThe Origin of the Work of Arts

作　　者：鲍远福[1,2] 

机构地区：[1]安徽新华学院,合肥230088 [2]南京大学文学院,南京210046

出　　处：《安徽广播电视大学学报》2014年第3期96-99,共4页Journal of Anhui Radio & TV University

基　　金：教育部人文社科项目"大众传媒与文艺理论创新"(项目编号:10YJC751002)阶段性成果之一

摘　　要："诗意栖居"是海德格尔后期哲学思想的主旋律,而《艺术作品的本源》则从文艺美学的角度对其做出深度的呼应。通过文本分析,我们认为后期海德格尔建构了"诗艺一体"的存在主义艺术观;同时,语言符号的神圣性在他的艺术阐释语境中复归并承担起构建"存在之家"的"诗话"功能。＂Poetic dwelling＂is considered to be the main theme of Heidegger＇s later philosophic thinking , and The Origin of the Work of A rts is the depth echo to the thought in literary aesthetics .Through the tex-tual analysis ,it is found that Heidegger has established the existentialist view of art ,w hich is know n as＂po-etry and art integration＂.At the same time ,the sacredness of language has been revived and played the ＂po-etry＂function of constructing ＂house of being＂in his artistic interpretation context .

关 键 词：《艺术作品的本源》 海德格尔 艺术思想 “诗意栖居” " POETIC dwelling" 

分 类 号：B516.54[哲学宗教—外国哲学]