华语大片身份叙事的可能与限度  

The Possibility and Limit of Chineses Blockbuster's Identity Narrative

作　　者：陈明华[1] 

机构地区：[1]广东肇庆学院文学院,广东肇庆526061

出　　处：《湘潭大学学报（哲学社会科学版）》2014年第5期120-122,共3页Journal of Xiangtan University:Philosophy And Social Sciences

摘　　要：随着华语电影在国际电影节上频频亮相和获得加冕,逐渐提升了华语电影的世界影响力,文化软实力竞争中的崭露头角多少让在经济上获得自足地位的华人获得了更多文化自信。然而,在批评界,华语大片在市场与人文之间却出现了无法弥合的裂缝,"第五代"导演的市场化转型也招致越来越多的质疑,商业突围伴生文化品位的沉落,名利的诱惑与国族身份的续写成为华语电影人新时期的阵痛。With recurring appearances and wining awards at international film festivals, Chinese - language films＇ global impact is enhanced gradually. The excellent performance in cultural soft power competition gets more cultural confidence for Chinese people who have been self- sufficient in economy. However, in the viewpoint of critics, there is a gap between market and humanism which is too wide to bridge in Chinese blockbusters, the 5th generation directors＇ gorgeous transformation is increasingly called into question, com- mercial breakthrough associates with cultural taste＇ s sinking down, and then the temptation of vanity and the writing of nation identity become Chinese filmmakers＇ travail in the new period.

关 键 词：大片 身份 品位 突围 

分 类 号：J901[艺术—电影电视艺术] I0-02[文学—文学理论]