实践转向与中国特色当代美学构建  

Practical Turn and Construction of Contemporary Aesthetics with Chinese Characteristics

作　　者：黄健云[1] 张立勇[1] 

机构地区：[1]玉林师范学院文学与传媒学院,广西玉林537000

出　　处：《湖北工程学院学报》2014年第5期33-36,共4页Journal of Hubei Engineering University

基　　金：国家社科基金项目(11CZW017);教育部人文社科青年项目(08JC751016);广西壮族自治区教育厅高校科研项目重点课题(ZD2014110)

摘　　要：建设中国特色当代美学几乎已成为中国当代美学界的一种共识。这种共识实际上是马克思主义的"现代实践转向"和20世纪90年代的"后现代实践转向"的共同结果。"现代实践转向"在中国奠定了以马克思主义实践观为基础的实践美学,并且,在20世纪80年,代实践美学成了中国当代美学的主导流派。随着20世纪90年代后现代主义思潮传入中国,"后现代实践转向"又打破了实践美学的唯我独尊的地位,形成了中国当代美学的多元共存的开放局面。在实践美学与后实践美学的论争中,实践美学发展到新的阶段,新实践美学依然一枝独秀,可能成为中国特色美学中的核心流派,并以"后现代实践转向"的发散性思维和多元共存的实践,建设中国特色当代美学。其中,以中国传统美学的优秀遗产为根基,以马克思主义实践观为指导,以西方美学发展为参照系,建设新实践美学,就是一个主要维度或多元共存中的主要"一元"。It has already become a kind of common understanding to construct contemporary aesthetics with Chinese characteristics, which, in fact, is the joint result of ＂modern practical turn＂ and Marxist ＂post-modern practical turn＂ in the 1990s. ＂Modern practical turn＂ establishes practical aesthetics in China which is based on Marxism practical point of view, and practical aesthetics has been playing a leading role in Chinese contemporary aesthetic since the 1980s. With the introduction of ＂post-modern practical turn＂ into China in the 1990s, Chinese contemporary aesthetics starts open and keeps diversi- fied. During the argument between practical aesthetics and post-practical aesthetics, the former has developed into a new stage and the latter is still outstanding and turning into the mainstream of con- temporary aesthetics with Chinese characteristics, which is strengthened by divergent thinking and di- versity coexistence. Among them, the construction of new practical aesthetics is a major dimension, guided by Marxism practical point of view, referring to the development of the western aesthetics and on the basis of excellent heritage o{ traditional Chinese aesthetics.

关 键 词：实践转向 中国特色 当代美学 

分 类 号：B834[哲学宗教—美学]