论原生态民族舞蹈的艺术化及其保护  

ON THE ARTISTIC TREATMENT OF THE ORIGINAL FORM MINORITY DANCE AND ITS PROTECTION

作　　者：杨敏[1] 

机构地区：[1]中央民族大学舞蹈学院,教师北京100081

出　　处：《广西民族研究》2014年第5期71-75,共5页GUANGXI ETHNIC STUDIES

摘　　要：普通民众的社会生活是一切舞蹈艺术的源泉,原生态民族舞蹈的生成和发展离不开自然环境和社会因素。贴近时代脉搏,不断向艺术化舞蹈迈进是支撑原生态民族舞蹈发展的动力所在。原生态的民族舞蹈向艺术化的舞蹈演变是大势所趋,而艺术化舞蹈的形成是以原生态舞蹈为基础的。本文就原生态民族舞蹈到艺术化舞蹈的演变以及对它们的保护对策展开论述。The social life of ordinary people is the source of all art of dance. The formation and development of original form dance rely on the natural environment and social settings. The dynamic supporting the development of original form minority dance is tightly the stage performance of art that closely link to the social life in every period of time. The formation of artistic dancing performance on the stage is based on the original form minority dance. The transformation of folk dance from the original form dance to the stage performanee is the main trend of its development. This paper discusses the evolution from the original form minority dance to the stage art performance and the counter measures of protection.

关 键 词：原生态舞蹈 艺术化 保护 

分 类 号：G52[文化科学—教育学]