知识地方性视角下的中国古代版权制度  

A Study of Copyright in Ancient China from the Perspective of Localized Knowledge

作　　者：曾殷志[1] 李雄风 胡庆乐[2] 

机构地区：[1]邵阳学院政法系,湖南邵阳422000 [2]湖南大学法学院,湖南长沙410082

出　　处：《中南林业科技大学学报（社会科学版）》2014年第4期87-90,98,共5页Journal of Central South University of Forestry & Technology（Social Sciences）

摘　　要：对于中国古代有无版权制度这一问题,学界存在争议。中国古代存在不同的文本制作主体,从而有官刻本、私刻本和坊刻本三种不同的形式,而这三种不同的形式在中国的政治文化传统下有不同的版权保护机制。因此,中国古代虽然不存在西方或现代意义上的版权制度,但自有一套版权制度。There is much controversy over the existence of copyright system in ancient China. Based on the typical Negativism, this paper employs a dissimilar approach to this issue. In ancient China, there were various publishers and three types of copies, namely, the officially carved, the privately carved and the workshop carved, with their corresponding copyright protection mechanisms under the specific politics and culture traditions. Thus, copyright systems actually came into being in ancient China, though not the copyright system in a Western or Modern sense.

关 键 词：中国古代 版权制度 政治文化 官刻书 私刻书 坊刻书 

分 类 号：D923[政治法律—民商法学]