文本的智能机制:界限、对话、时空——对19世纪俄罗斯文学史研究的反思  

The Intelligent Mechanism of the Text: Boundaries, Dialogue and Space-Time——Reflections on the Studies of the History of the 19th-Century Russian Literature

作　　者：张杰[1] 

机构地区：[1]南京师范大学外国语学院

出　　处：《外国文学研究》2014年第5期131-137,共7页Foreign Literature Studies

基　　金：国家社科基金项目"20世纪俄苏文学批评理论史研究"【项目批号:11BWW001】;江苏省优势学科建设二期资助项目【项目批号:20140901】的阶段性成果

摘　　要：我国外国文学批评界习惯于把文学视为对社会现实的形象反映,尤其是在19世纪俄罗斯文学创作的研究中。其实,19世纪俄罗斯经典作家的创作之所以能够流传至今,在很大程度上是超越了当时的社会现实,文学文本的意义往往滋生于其自身的智能机制之中。文学文本并非是一个静止的被动客体,也不只在传递和记忆信息,还是一个运动的、拥有主体性的生命体,能够通过界限转换、对话机制和时空变化等途径,作用于读者,在读者大脑左右半球的互动中,不断地创造意义。Chinese literary critics of foreign literature have already been accustomed to viewing literature as vividly mirroring social realities, especially in the studies of the 19th-century Russian literary creations. Actually, the literary creations by the classical 19th-century Russian writers could remain in circulation to date, largely due to their transcendence over their contemporary social realities and the fact that the meanings of the literary text often derive from its own intelligent mechanism. The literary text is neither a static passive object nor simply a device transmitting and memorizing information, but a dynamic organism endowed with subjectivity, which can work on the reader through boundary transpositions, the dialogue mechanism and space-time changes, continuously creating meanings in the hemispherical interactions inside the reader＇s brain.

关 键 词：19世纪俄罗斯文学 文本 对话 时空体 

分 类 号：I512.06[文学—其他各国文学]