桐城派批评范式中的归有光散文境界  

On Gui Youguang's Prose in View of Tongcheng School Criticize Paradigm

作　　者：萧晓阳[1] 

机构地区：[1]中南民族大学文学院,湖北武汉430074

出　　处：《衡阳师范学院学报》2014年第5期59-63,共5页Journal of Hengyang Normal University

基　　金：国家社会科学基金项目<现代性视阈中的近代桐城派诗文研究>(09BZW044)

摘　　要：归有光之文上继韩欧,下开桐城古文。桐城派文人论其风神,以为高者在神境,然有文人矜张之气;评归氏为文旨要,非议其为学主于文,乖离程朱之学而近俚,以义理尺度批判其浮浅;述震川作文门径,以为挚而有法,取法其文章古雅格调,易之以雅洁文风。桐城派的批评从侧面反映了正统文论崇道尊文的祈向。由此可以看出:归有光散文关切人生疾苦的情感书动摇了"载道"文统的根基,抒写怀抱的文人之文体现出了民间叙事清新质朴的特征,以传纪之笔叙事表明近世文法已日臻完备。Gui Youguang inherited from Han yu ,Ou yangxiu ,and enlightened Tongcheng prose .Tongcheng scholars accused him of hyperbole ,but highly in the magical realm and authentic ;They criticized his view of denying to the science of Cheng Zhu and discussed the method ,and thought he is sincere and grammatical ,and imitated him the classical style at the same time to replace it with the mellow style .Tongcheng criticism reflects the traditional views .As it can be seen that Gui Youguang＇s prose concerns the sufferings in life emotional express ,shake“roots contained” system ,describe the embrace of the w riters of the text which reflects the fresh plain characteristics of folk narrative ,and the Shi Ji narrative style shows that the modern narra-tive method is gradually perfected .

关 键 词：桐城义法 情感书写 批判精神 史记笔法 

分 类 号：I209.99[文学—中国文学]