圣门诗狂——论李调元诗歌的艺术形象、悲剧精神与思想启蒙意义  

Crazy Sage Poet——On the Artistic Image,Tragedy Spirit and Enlightenment Significance of Li Tiaoyuan's Poetry

作　　者：田耕滋[1] 

机构地区：[1]陕西理工学院文学院,陕西汉中723001

出　　处：《绵阳师范学院学报》2014年第9期1-5,9,共6页Journal of Mianyang Teachers＇ College

摘　　要：李调元的诗歌已构成了一个完整的艺术形象——"圣门诗狂"。这一形象在思想上是本于儒而归于道,希为圣而流为狂;在艺术上可与杜甫同志,与渊明同趣,与太白同调,既表达着对儒家圣贤人格的追求,也表达着对人性解放和个性自由的追求。李调元在诗中还批判现实,否定"好官",与黄宗羲否定君权具有同等重要的思想启蒙意义。他的"蠢翁词"充溢着一种不肯低头,与世俗社会抗争到底的悲剧精神。这一切提升了李调元诗歌的艺术价值,在中国诗歌史上理应占有一席之地。The poetry of Li Tiaoyuan has formed a complete artistic image—— ＂ crazy sage poet＂. Ideologically,this image is meant to be Confucian while it winds up Tao,sage but crazy. Artistically,the image shares common ideal with Du Fu,same interest with Tao Yuanming,and similar attitude with Taibai. The image expresses not only the pursuit of personality of Confucianism sages but also the pursuit of human liberation and individual freedom. Li Tiaoyuan also criticizes social reality in his poetry,and defies ＂ good official＂,which is equally important in terms of enlightenment significance with Huang Zongxi＇s denying monarchy. His ＂ Silly Old Man＂ overflows with a tragedy spirit of never bowing one＇s head and fighting against secular society to the last moment. All of above has enhanced the artistic value of Li Tiaoyuan＇s poetry,and justified a place for it in the history of Chinese poetry.

关 键 词：李调元 圣门诗狂 启蒙意义 悲剧精神 

分 类 号：I106.2[文学—世界文学]