汪曾祺与萧丽红乡土创作的相似点——以《受戒》《千江有水千江月》为例  

Analysis on the Similarities of Wang Zengqi and Xiao Lihong's Local Color Writing: Based on Shou Jie and River and Moon of Qiangjiang

作　　者：郭恕君 

机构地区：[1]江苏师范大学文学院,江苏徐州221000

出　　处：《宜宾学院学报》2014年第8期22-25,共4页Journal of Yibin University

摘　　要：汪曾祺的《受戒》与萧丽红的《千江有水千江月》在主题表现、写作立场、文化意蕴等方面呈现出一定的相似性。作品皆把关注的焦点投射到作者的故土小镇,以田园牧歌式的诗化小说来表现自我理想,与当时主流文坛主张的指向历史、政治的宏大叙事格格不入,呈现出"异质性"。但作品中所表现出的对人性、人情之美的主题展示,面向民间、体察世俗的写作指向,灵动厚重的中国传统文化意蕴的揭示,使作品产生了强大的文学磁场及艺术张力。Wang Zengqi＇ s Shou Jie and Xiao Lihong＇ s River and Moon of Qianjiang presented some similarities in theme, standpoint and culture connotation. Both of them focused on the author＇ s hometown, praising the beauty of human nature, depicting the natural scenery and local customs, revealing the implication of traditional Chinese culture through poetic imagery and endowing their works with strong arhstie tension which appealed to the readers greatly. This tendency born a heterogeneous nature from the prevailing literary trend of that time to dipict historical and political events with grand narrative.

关 键 词：汪曾祺 萧丽红 人情美 世俗美 水意象 

分 类 号：I207.425[文学—中国文学]