承载历史真实的文学想象——论《愤怒》中的历史记忆书写  

Writing Historical Memories in Philip Roth's Indignation

作　　者：朴玉[1] 

机构地区：[1]吉林大学公共外语教育学院

出　　处：《当代外国文学》2014年第4期12-19,共8页Contemporary Foreign Literature

基　　金：教育部人文社科项目"当代美国后9.11小说叙事伦理研究"(11YJC752014)的阶段性成果;吉林省社科项目(项目编号:2012B40);国家留学基金委项目(教外司留【2013】1792号)资助

摘　　要：菲利普·罗斯在其后期创作中,往往通过记忆书写再现历史瞬间,反映重大历史事件对于现实生活中小人物的胁迫,《愤怒》就是典型之一。这是一部关于朝鲜战争的记忆小说,以马科斯弥留之际的自传性记忆为主体,展现20世纪50年代年轻人在理想自我与社会现实冲突中的无奈与愤懑。作品对马科斯父母创伤记忆进行刻画,强调战争等历史事件强加给普通人的难以言说之痛,并以异故事叙事者的视角从事实和道德两个层面修正和补充马科斯及其母亲的"不可靠记忆",体现了罗斯追问历史并以文学虚构建构集体记忆的创作观。Indignation, one of Philip Roth＇s representative works in the post 9/11 era, is unique in its exquisite composition of memory texts. Roth describes in detail the sense of helplessness in Marcus by way of the young man＇s autobiographic memory as he lay dying in the 1950s. The novel also explores the extended impact of historical events on everyman＇s life by depicting the psychological trauma of Marcus＇s parents, especially his mother＇s everlasting traumatic memory of her beloved son. It employs an anonymous heterodiegetic narrator to correct, as well as supplement, the unreliable memories of its characters, hereby bringing to light its historical truth and ethical implications.

关 键 词：菲利普·罗斯 《愤怒》 历史 记忆 

分 类 号：I712.074[文学—其他各国文学]