论韩愈、姚合的私人天地及其美学意蕴  

On Han Yu and Yao's Private World and Their Aesthetic Connotation

作　　者：李昌舒[1] 

机构地区：[1]南京大学文学院,南京210046

出　　处：《江苏行政学院学报》2014年第6期19-26,共8页The Journal of Jiangsu Administration Institute

基　　金：国家社科基金项目"出处问题的哲学基础及其美学意蕴研究"(10CZX053)的阶段性成果

摘　　要：韩愈与姚合是中唐时期重要的文学家,在文学史上均有重要影响。虽然历来论者很少将二者并提,但作为出身庶族地主的文官阶层,二人面临着共同的出处矛盾。"出"意味着庙堂的机巧、喧嚣、炫目,"处"则指向山林之淡泊、宁静、清幽。在此矛盾的困扰下,他们二人都有一个由兼济而独善、由外而内的转向,这种转向导出对私人天地的关注与建构。私人天地的突出特征是追求闲适的文官趣味,在自己的私人天地中,以审美态度经营日常生活。他们闲适、淡泊的人生态度与淡雅、清幽的审美趣味成为此后中国美学的一个基本内容。Han Yu and Yao He were important literary master from the mid Tang Dynasty, both leaving significant heritage in the history of Chinese literature. Although researchers seldom compare them in parallel, these two masters con- fronted the same issue of worldliness and solitude, since both of them were civil officials rising from the landlord class. ＂Worldliness＂ means the speculation, hustle, and glamour of office, while ＂solitude＂ focuses on the simplicity, tranquili- ty, and peace of retreat in mountains and woods. Troubled by these conflicting aspirations, both the two masters had experi- enced the inward turn from aspiring to benefit the society to maintaining individual goodness. Such a turn conveys their con- cern and construction of their private world, whose prominent feature is the pursuit of leisure lifestyle of civil officials where they could manage their daily life with aesthetic attitude in their private world. Their leisurely and simple life attitude and elegant, quiet aesthetics have formed one of the essential elements of Chinese aesthetics.

关 键 词：韩愈 姚合 私人天地 美学意蕴 

分 类 号：G112[文化科学]