中国明代小说与日本浮世绘的界面研究  

Interface Studies on Chinese Ming Dynasty Novels and Japanese Yamato-e

作　　者：王永东[1] 

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《外国语文》2014年第4期36-40,共5页Foreign Languages and Literature

摘　　要：日本浮世绘艺术是日本江户时代最为流行的版画艺术,与中国明代晚期的版画刊行有密切的关系。江户时代汉籍的东传热潮为日本市井阶层接触中国通俗小说创造了条件,中国通俗小说的流行促使江户市井创造出日本风格的"浮世草子",浮世草子中大量木版插图借鉴了中国晚明戏曲小说刊本的插图,随着浮世绘的创始者菱川师宣对插图本的改进,出现了受中国春宫画影响的浮世绘艺术。The art of Japanese Yamato-e is the most popular engraving art in Japanese Edo period which has close relation with print publication of China＇ s late-Ming dynasty. The flowing of books of the Han dynasty to Japan in Edo period pre- pares conditions for Japanese town fellows get in touch with Chinese popular fiction. The popularization of Chinese popular fiction in Japan prompts Japanese town fellows to create Japanese ＂Ukiyososhi＂, its woodcut illustrations borrowed the illus- tration in drama and fiction woodblock edition of the late-Ming dynasty. As Hishigawa Moronobu, the founder of Yamato-e, modifies illustrated edition, the ＂Ukiyososhi＂ emerges the art of Yamato-e influenced by Chinese erotic art.

关 键 词：浮世绘 晚明版画 通俗小说 春宫画 界面研究 

分 类 号：I207.4[文学—中国文学]