论女性主义对《简·爱》的解读  

On Feminism＇s Interpretation of Jane Eyre

作　　者：孙学棋[1] 李向欣[1] 

机构地区：[1]吉林大学公共外语教育学院

出　　处：《世界文学评论（高教版）》2014年第3期150-154,共5页The World Literature Criticism

基　　金：吉林省社科基金项目“20世纪西方文学精神生态主题研究”(项目编号:2013B63)阶段性成果

摘　　要：《简·爱》自从出版至今一直受到读者和评论界的关注.女性主义文学批评理论使得对这部作品的解读别开生面.女性主义批评认为,《简·爱》浓缩了女性的声音从湮没无闻到大胆发声的过程,但是采取了“双声话语”的隐秘策略.除了简·爱的大胆宣言,小说中次要的女性人物疯女人伯莎也受到女性批评的重视,甚至被重新改写.她们都体现了女性所受的压抑和反抗,因而她们构成了互补的关系.通过对《简·爱》的女性主义阅读脉络进行梳理,从各个角度反映出《简·爱》这部不朽作品的永恒魅力和文本生产能力.女性主义通过对《简·爱》的解读同时也丰富了女性主义批评理论,呼应了各个时期的女权主义运动.Jane Eyre has drawn attention from both readers and critics since its publication. The feminism literary theory broke anew ground in its interpretation. The feminist critics believed that Jane Eyre was the miniature of the process from women＇s silenceto voicing, using the secret strategy of “double voice”. Apart from Jane Eyre＇s outspoken declaration, the madwoman Bertha was alsoscrutinized and even rewritten by the feminists. Both of them reflect the repression and the revolt of women, and therefore they form acomplementary character relation. In this paper, the feminist reading of Jane Eyre has been combed and analyzed, which from variedperspectives shows the everlasting charm and textual productivity of Jane Eyre. The feminist interpretation of Jane Eyre in returnenriched feminism literary criticism and echoed feminism movement of different phases.

关 键 词：《简·爱》 女性主义 女性叙事 

分 类 号：I206.7[文学—中国文学]