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机构地区:[1]北京科技大学外国语学院,北京100083 [2]电子科技大学外国语学院,四川成都611731
出 处:《中南大学学报(社会科学版)》2014年第5期222-227,共6页Journal of Central South University:Social Sciences
基 金:教育部人文社科青年基金项目"当代爱尔兰诗歌的文化释读(1960-2010)"(13YJC752027)
摘 要:北爱危机的祸殃使当代北爱尔兰诗人跌入文化身份的集体焦虑和宗派主义的漩涡,酿成20世纪60~80年代北爱诗坛以宗派论争为特点的混沌诗歌史。从文化诗学观的研究视域对诗人迈克·朗利的诗学实践与文化和解活动展开探讨,可以发现他以差异认同为牵引力的文化平衡诗学通过引导文化身份的边界协商促进了北爱诗人的文化和解,客观上推动了文化身份的动态建构。朗利的最终实至名归证明了诗歌仍旧是历史的见证者、反思者和引导者。Due to the history of colonial rule, the collective anxiety towards cultural identity among Northern Irish poets nurtured the chaotic poetic history characterized by sectarianism between 1960 s and 1980 s. To adopt the viewpoint of cultural poetics to investigate Michael Longley's practice in poetry and culture, this paper argues that his strategy of diversified identification has not only promoted the border negotiation of cultural identity but also contributed to the cultural reconciliation of the poets and promoted the dynamic construction of cultural identity in Northern Ireland. Longley's final achievements prove that poetry has been and will always be the witness, reflector and guide of history.
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