当下中国艺术的危机与重构  

The Crisis and Reconstruction of the Present Chinese Art

作　　者：张园[1] 

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2014年第6期134-135,共2页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：黑龙江省哲学社会科学研究规划项目:从西方艺术史看当代艺术的危机与重构(11E069);黑龙江省教育厅人文社会科学项目:检省当下中国艺术现状(12522216)

摘　　要：艺术与历史有某种根本上的一致性,它们同人类一起诞生、存活。但是,当下我们对艺术的狭隘理解,遮蔽了艺术的本质。因此,从时代和文化背景去冷静地反思当下混乱的艺术现状十分必要。本文选取当下备受关注的行为艺术、艺术市场进行检省,指出本土建构是当下中国艺术走出危机的唯一出路。Art has a very close consistency with history at the root. They are born and survive with human together. However,we have a narrow understanding of art at present,loving the nature of art. Faced with the confusing reality of Chinese art,it is impontant to the relevant time and cultural background,reflect the current Chinese art. This article selects performance art and art market which have already aroused great concern to investigate,and suggests that local construction is the only way for the present Chinese art out of trouble.

关 键 词：行为艺术 艺术市场 本土建构 

分 类 号：J024[艺术—艺术理论]