论曹文轩《天瓢》的风情写作  

On Amorous Writing in Tianpiao by Cao Wenxuan

作　　者：邓筱菊[1] 

机构地区：[1]怀化学院中文系,湖南怀化418000

出　　处：《中国文学研究》2014年第4期104-107,共4页Research of Chinese Literature

摘　　要：曹文轩《天瓢》,用华美的文字和意象表现出浓浓的风情。《天瓢》的风情分为三个层面:雌雄交欢展示的原始层面,诗词歌赋呈现的审美层面,迷幻之雨构成的象征层面。《天瓢》的创作手法,既与中国古典文化一脉相承,又与当代文学的发展息息相关,并阐释了作家本人的创作理论。Cao Wenxuan＇s Tianpiao expresses the amorous feelings by magnificent words and images. The amorous writing in Tianpiao has three main aspects： the primitive aspect of male and female intercourse, the aesthetic aspect of verses, ditties, odes and songs and the symbolic aspect of fascinating rain. The creation of Tianpiao not only carry forward the Chinese classical literature but also has a close relationship with the modern literature,and moreover, it explains the writer＇s creative theory.

关 键 词：曹文轩 风情 审美 

分 类 号：I247[文学—中国文学]