生态美学视野中的地理风水与人文风水——兼论风水迷信的破除  

Geographical Geomancy and Humanistic Geomancy in the Visual Threshold of Ecological Aesthetics:Also on How to Get Rid of Geomancy Superstition

作　　者：张义宾[1] 

机构地区：[1]山东大学艺术学院,山东济南250100

出　　处：《艺术百家》2014年第5期64-67,56,共5页Hundred Schools In Arts

基　　金：2011年度教育部人文社科重点研究基地重大项目"礼乐文化与中国审美文化研究"(项目编号:11JJD750025)阶段性成果之一

摘　　要：气论是风水文化的本体基础,人与万物皆统一于气。气分五行,人文风水与地理风水以此为结构,其中人文风水为风水文化的精华,是传统命运学说的核心。风水文化的天人合一的思想维度体现了中国人独特的生态观,与现代生态美学中人与自然"共在"的生态存在论具有相通之处,是建设现代生态文明的重要思想资源。Discourse of Chi is the essential basis of geomancy culture. Human and the universe are unified with Chi. Chi could be categorized into five elements which constitute both humanistic geomancy and geographical geomancy. Humanistic geomancy is the refined one in geomancy culture, and it is the core of traditional destiny discourse. The theory that man is an integral part of nature in geomancy culture demonstrates the peculiar Chinese people＇s ecologieal viewpoint, which has something similar to modern ecological aesthetics, and thus it becomes a significant thought source for constructing modern ecological civilization.

关 键 词：生态美学 气论 人文风水 地理风水 文化传统 审美特征 

分 类 号：J0[艺术—艺术理论]