《安娜在热带》中的互文性写作策略研究  

On the Intertextuality in Anna in the Tropics

作　　者：许诗焱[1] 

机构地区：[1]南京师范大学外国语学院

出　　处：《俄罗斯文艺》2014年第4期119-124,共6页Russian Literature & Arts

基　　金：教育部人文社会科学青年项目"21世纪普利策戏剧奖研究"(项目批准号:12YJCZH236);江苏省社科基金青年项目"21世纪普利策戏剧奖与当代美国戏剧主流研究"(项目批准号:13WWC010);江苏省博士后科研资助计划(项目批准号:1302046C)的阶段性成果;"江苏高校优势学科建设工程二期项目"的研究成果(优势学科代码:20140901)

摘　　要：当代舞台对于文学经典的处理方式一般是基于原著的改编或者是对于原著的解构,而2003年度普利策获奖剧作《安娜在热带》则展现了文学经典在当代舞台上的另一种回响:尼洛·克鲁斯运用互文性写作策略,将经典与剧本进行多重空间的整合,在调动观众文学记忆的同时,又为其注入剧作家本人所代表的文化精神。本文从文本建构、文学记忆及文化思考三个方面对剧中的互文性写作策略进行分析,力求为当代戏剧创作提供一种新的思路。On the contemporary stage, literary classics are either adapted to recapture their glory or deconstructed with the purpose of subversion ; however, Anna in the Tropics,the 2003 Pulitzer Prize for Drama, provides an alternative approach to present literary classics on the contemporary stage. With intertextuality as an effective writing strategy, Nilo Cruz integrates literary classics and his own play. He succeeds not only in arousing the literary memory of the audience, but also in showing his unique cultural spirit. This article analyzes the intertextnality from such aspects as textual construction, literary memory, and cultural reflection, with a purpose of shedding new light upon the contemporary stage.

关 键 词：文学经典 当代舞台 互文性 文本建构 文学记忆 文化思考 

分 类 号：I512.073[文学—其他各国文学]