文献纪录片的多模态动态语篇分析——以《指点江山:毛泽东诗词故事》之《沁园春·长沙》为例  

作　　者：耿敬北[1] 陈子娟[1] 

机构地区：[1]宿迁学院外语学院,江苏宿迁223800

出　　处：《西安外国语大学学报》2014年第4期24-28,共5页Journal of Xi’an International Studies University

基　　金：国家社会科学基金项目"副词的语用分析及相关语音问题研究"(2009CYY038);宿迁学院基金项目"多媒体条件下多模态互动教学模式构建研究"(2011YJG13)

摘　　要：本文以文献纪录片《指点江山:毛泽东诗词故事》为例,探讨纪录片的多模态动态语篇构建过程。主要根据多模态语篇分析理论,从语篇语境、语篇设计和语篇衔接三个方面对动态语篇《指点江山:毛泽东诗词故事》之《沁园春·长沙》1进行多模态语篇构建分析,并发现:历史符号、现实符号和虚拟符号语篇表意功能,语境对语篇生成潜在导向作用,以及时空顺序、解说语气、背景音乐基调、语篇外语境等语篇衔接手段的运用在纪录片语篇构建中具有重要意义。The paper is intended to investigate the dynamic Multimodal discourse features of documentaries by taking The Stories about Mao Zedong＇s Poetry as an example. Based on the muhimodal discourse analysis theory, it conducts a multimodal discourse analysis of Changsha, to the tune of Spring in a Pleasure Gardeu from Pointing to Stream and Hill： The Stories about Mao Zedong＇s Poetry from three aspects： discourse context, discourse construction and discourse cohesion means. It is found that context＇ s potential guide to generation of discourse, textual function of historical symbols, real symbols and virtual symbols, as well as discourse cohesion means of the temporal and spatial sequence, the verbal mood, background music tone and context outside discourse, play so improtant a role in the dynamic multimodal discourse construction of documentaries.

关 键 词：文献纪录片 多模态动态语篇 《指点江山:毛泽东诗词故事》 《沁园春·长沙》 

分 类 号：H030[语言文字—语言学]