后现代语境下的莎乐美——从米歇尔·布托的《致莎乐美》一诗说起  

Salome in the Context of Post-modernism

作　　者：田妮娜[1] 

机构地区：[1]北京外国语大学法语系,北京100089

出　　处：《外国文学》2014年第6期13-19,157,共7页Foreign Literature

基　　金：北京市青年英才计划项目"法国当代女性主义批评与女性文学"

摘　　要：莎乐美是西方文学中一个极具个性的女性形象,以此为题的作品在19世纪末层出不穷,其中又以王尔德的独幕剧《莎乐美》为代表。然而莎乐美形象的演化并非以19世纪为终点,相反,她的故事在20世纪继续得以发展,其表现形式也更为丰富。法国当代作家布托的诗歌《致莎乐美》集中体现了这一女性形象在20世纪文学中的主要特点。本文从该诗说起,在解析诗歌形式与内容的基础上,联系19世纪后半期以来莎乐美形象的演变史,从舞蹈的独立性、人性对神性的取代、文字与绘画的交织等方面审视现代与后现代之间的差别,探究莎乐美在后现代语境下被赋予的全新内涵。Salome is one of the most popular motifs in art and literature of the second half of the nineteenth century.But this era,marked by an abundance of literary and artistic works dealing with the'femmes fatales',is not the end of Salome's evolution.Her story continues to be enriched in the twentieth century,in more forms.Butor's poem 'Pour Salomé'represents the vitality of this female figure,as well as its main features in the twentieth-century literatures.Based on the analysis of the content and structure of Butor's poem,and by depicting the evolution of Salome's image from the late nineteenth century,this article aims to examine the independence of Salome's dance,the replacement of the divine with human nature,and the interweaving of text and painting.By showing the differences between traditional and mo^dern notions,this research highlights the new connotation of Salome in the context of post-modernism.

关 键 词：莎乐美 布托 舞蹈 人性 交织 

分 类 号：I565[文学—其他各国文学]