基于传统和谐共生美学的平面设计本土化研究  

Strategies of Localization Based on Graphic Design Aesthetics of Traditional Harmony

作　　者：黄敏[1] 

机构地区：[1]华南师范大学美术学院,广东广州510631

出　　处：《华南师范大学学报（社会科学版）》2014年第5期156-160,164+2+165,共5页Journal of South China Normal University：Social Science Edition

摘　　要：中国之设计经过几十年迅速发展跻身设计大国行列,而与强国比尚有极大差距,究其原因,并非无此类人才,而是文化性的缺失。中国不缺乏优秀的设计人才,缺少的是一种优秀的设计文化。可以传统和谐共生美学为基点,以共生形体为依托,实现平面设计的本土化。Chinese design has experienced decades of rapid development in China,but there is still a great gap in graphic design between us and other countries. If we seek and investigate its reason,we can see that this is not due to lack in talented people,but the lack of culture. Chinese culture is profound. Compared with Chinese culture,the design is too shallow. This paper,based on the traditional harmony aesthetics,provides analysis of the form as the symbiosis,discusses the symbiosis of culture,and explores the localization of graphic design.

关 键 词：和谐共生 构图规律 平面设计 本土化 

分 类 号：J061[艺术—艺术理论]