“文体”与“体格”——朱熹《诗经》文体论解读  

Stylistic Features and Literary Form——Understanding ZHU Xi's Comment on the Stylistic Features of The Book of Songs

作　　者：汪泓[1] 赵勇[1] 

机构地区：[1]江西师范大学当代形态文艺学研究中心文学院,江西南昌330022

出　　处：《江西师范大学学报（哲学社会科学版）》2014年第5期58-64,共7页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：江西省教育厅人文社科重点研究基地招标课题"中国传统文化背景下的文学观念研究"

摘　　要：朱熹把"文体"与传统的"音韵"、"训诂"注《诗》重点并置,充分体现了他自觉的文体意识。《诗集传》对《诗经》文势相贯特点的重视,是对毛诗《传》《笺》《正义》的继承;而对《诗经》辞气的整体把握、对"温柔敦厚"的伦理意识所形成的含蓄文体风格的提倡,则是重涵养功夫的理学视野为朱熹带来的对前人的突破。有关体裁分类的辨析,朱熹引当时诗学已普遍使用的"体格"观念入《诗经》学,认为大小《雅》是对固有音乐典范的再创作,并将风雅正变与文体风格的正变关联起来。朱熹有关《诗经》的文体批评对后世产生了重要影响。ZHU Xi emphasizes both the literary features and the traditional“phonology”and“exege-sis”,which fully reflects his conscious stylistic awareness. Shi Ji Zhuan attaches great importance to the literary features run through The Book of Songs,so as to inherit the practices of Zhuan,Jian and Zheng Yi. It overall grasps diction,and advocates the implicit style formed by the gentle ethical con-sciousness. He emphasizes self - restraint from the perspective of Neo - Confucianism and breaks through his predecessors. In his analysis of genre classification,ZHU Xi introduces the concept of lit-erary form commonly used at that time in the study of The Book of Songs. He believes that Ya was the recreation of inherent musical models,and associates the elegant style change with literary style change. ZHU Xi’s stylistic criticism on The Book of Songs significantly influences the later genera-tions.

关 键 词：朱熹 文体 体格 《诗经》学 

分 类 号：I207.2[文学—中国文学]