“桃源”与“扁舟”——从意象的选择看秦观与苏轼的贬谪心态  

“Peach-Blossom Spring”and “Open Boat”:An Observation of Qin Guan's and Su Shi's Exile Mentalities from the Choice of Images

作　　者：姚菊[1] 

机构地区：[1]南京大学文学院,江苏南京210023

出　　处：《海南大学学报（人文社会科学版）》2014年第6期105-111,共7页Journal of Hainan University （Humanities & Social Sciences）

摘　　要："桃源"与"扁舟"分别是秦观与苏轼贬谪词中出现的典型意象,代表了绝望和希望、抵制与接受两种不同的主体心理。桃源是一种理想,通向引人绝望的虚无的世界,秦观用来指已逝的美好,情感指向于过去,最终为情所役,词中有大量的"追忆"之语;而扁舟归隐,是一种已经有前贤实践的可行的现实选择,实是自由人格精神的象征,取向于未来,引领着主体接受并克服眼前的困难从而实现超越和解脱,苏轼终至有情而不役于情,苏词中出现更多的是"归去"。＂Peach-blossom spring＂ and ＂open boat＂, poetries （Ci） respectively, express two different kinds as the typical images in Qing Guan＇ s and Su Shi＇ s exile of psychological subjects, namely despair and hope, re- jection and acceptance. The peach-blossom spring is an ideal, leading man to the despairing and virtual world. Qin Guan uses it for the departed beauties, and the emotions point to the past, which enslave him finally. Hence in his poetries exist plenty of ＂reminiscing＂ words. However the open boat implies seclusion, which has already been a feasible and realistic choice practiced by the former worthies, and symbolizes the spirit of freedom person- ality. This orientation towards the future leads the subject to accept and overcome the temporary difficulties, sur- passing and extricating from the realities. Su Shi ends up with the emotions, but is never confined within them. Hence in his poetries appear more ＂home-returning＂ words.

关 键 词：桃源 扁舟 意象 贬谪心态 

分 类 号：I206.2[文学—中国文学]