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作 者:张一帆[1]
机构地区:[1]北京大学中文系,北京100871
出 处:《云梦学刊》2014年第6期41-45,共5页Journal of Yunmeng
摘 要:上世纪80年代以来,"二十世纪中国文学"等新的文学史概念逐渐流行,学者多试图从整体上把握百年来中国文学的发展进程。与之相对,洪子诚则辨析"当代文学"这一旧有概念被构造与描述的过程,通过与"现代文学"的对照,关注40-50年代之交的文学转折,进而建立起独特的"当代文学"论述。这也为我们重新思考"现代文学"甚至"文学"的概念,思考文学与历史的复杂关联提供了新的视角。Some new concepts on the history of literature have been increasingly popular since 1980s, such as"C hinese literature in the 20th C entury"and so on. T hese concepts show the academ ic am bition to conceive the historical course of C hinese literature during the last century. H ow ever, H ong Z icheng m arched an inspiring and in-depth analysis of an old concept-"contem porary literature".Focusing on the literary transition around 1949,he review ed the w hole form ative and practicalprocess ofthis concept, w hile com pared it w ith another concept"m odern literature", w hich m ade a different historical and literary discourse possible. H is w ork provides us a brand new perspective to rethink the popular concepts as"m odern literature" even "literature" itself, and furtherm ore, the com plex relation betw een literature and history.
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