艺术批评的理论自觉  

THE THEORETICAL CONSCIOUSNESS OF ART CRITICISM

作　　者：熊元义 王文革[2] 

机构地区：[1]文艺报社,北京100125 [2]北方工业大学文法学院,北京100144

出　　处：《云梦学刊》2014年第6期46-51,共6页Journal of Yunmeng

基　　金：国家社科基金艺术学项目"新时期以来中国艺术家艺术观念谱系性研究"(11BA011)阶段成果之一

摘　　要：于平对中国当代文化的发展不仅有宏观把握,也有微观研究,在舞蹈艺术批评、艺术批评和文化批评上取得了丰硕的理论成果。于平的艺术批评具有高度的理论自觉,那就是将理论研究和对策研究有机结合起来,积极推进广大艺术家的艺术调整;将宏观把握与微观研究有机结合起来,努力解决艺术批评的理论分歧;大量汲取中国古代艺术理论宝库里活的思想,在一定程度上推进了中国古代艺术理论的现代转型。Yu Ping takes not only m acroscopic grasp, but also m icrocosm ic researches on the Chinese m odern cultural developm ent, and has gotten a lot of achievem ents on dance art criticism , art criticism and literature criticism . Yu Ping＇s art criticism show s higher theoretical consciousness, w hich is taking the organic com bination of theory and strategy, pushing forw ard artists＆#39; art adjustm ent;taking the organic com bination of m acroscopic grasp and m icrocosm ic researches, efforts to resolve the theoretical difference of art criticism;adopt m ass creative thoughts from the Chinese ancient art theory collection to push forw ard the m odern transform ation of the Chinese ancient art theory.

关 键 词：于平 艺术批评 理论自觉 

分 类 号：J05[艺术—艺术理论]