论川端文学中“粹”的审美情趣——以《雪国》、《千只鹤》、《古都》为例  

The Aesthetic Analysis on ‘Iki' in the Works by Kawabata——Based on Snow Country,Thousand Cranes,The Old Capital as examples

作　　者：董雪娟[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《安康学院学报》2014年第6期61-64,共4页Journal of Ankang University

摘　　要：川端康成以"表现日本民族的精华"而获诺贝尔文学奖,并成为日本文学史上的一座里程碑,其作品中除了表现出古典美和自然美之外,也显示出大和民族的另一种民族意识——"粹"。本文以《雪国》、《千只鹤》、《古都》为例,从"粹"的构造样态、柔美姿态以及外延表现等方面分析川端作品中"粹"的审美情趣。Kawabata to ＂show the essence of the Japanese nation＂ and won the Nobel Prize for Literature,and become a milestone in the history of Japanese literature. In addition to exhibiting his works of classical beauty and natural beauty outside,also shows another large national consciousness and the nation- ＂Iki＂. In this paper,Snow Country,Thousand Cranes,The Old Capital for examples,in terms of ＂Iki＂ constructed like state,mellow attitude and performance analyzed epitaxial Kawabata works ＂Iki＂ aesthetic taste.

关 键 词：川端康成 粹 审美情趣 《雪国》 《千只鹤》 《古都》 

分 类 号：I313.074[文学—其他各国文学]