不要人夸好颜色 只留清气满乾坤——新世纪十年军旅长篇小说研究(上篇)  

Not Expecting People's Praise on Beauty, Only Spreading Integrity While Leaving: A Study on Military Novels in the First Decade of the New Century(Ⅰ)

作　　者：傅逸尘[1] 

机构地区：[1]解放军报社文化部,北京100832

出　　处：《解放军艺术学院学报》2015年第1期23-31,共9页Journal of PLA Art Academy

基　　金：全军军事科学"十二五"计划课题"21世纪军旅文学十年概观"(11QJ003-182)

摘　　要：新世纪军旅长篇小说的崛起和繁荣,掀起了中国当代军旅文学的"第四次浪潮"。军旅作家们以"个人化"的写作姿态展开对军旅题材的新一轮文学想象,推出了一大批精品力作。与此同时,文学生态的剧烈变化使得军旅长篇小说创作在写作伦理、审美风格和接受传播等方面越来越多地转向了"通俗化"。在商业语境强化和政治语境淡化的双重夹击下,军旅作家队伍急遽分化,以徐贵祥、周大新、朱秀海、苗长水、柳建伟等为代表的执着坚守者们,像滔滔商海中的"孤岛"一样,岿然耸峙,蔚成大家气象,"英雄话语"亦在军旅作家的文体自觉和文本探索中实现了涅。The rise and prosperity of military novels in the new century has raised the “fourth wave” in the contemporary Chinese military literature. With “personal” writing attitude, military writers have launched a new round of literary imagination on military subjects, and have produced a large number of high-quality works. Meanwhile, the dramatic change of literary ecology has made military novel creation to turn increasingly to “popularization” in aspects like writing ethics, aesthetic style, and acceptance and spread. Trapped between a waxing business context and a waning political context, the team of military writers has become divided rapidly. Faith-holders like Xu Guixiang, Zhou Daxin, Zhu Xiuhai, Miao Changshui and Liu Jianwei, though a small group yet with enormous influence, are still taking the lead. As a result, “hero discourse” has achieved nirvana in the style self-consciousness and text exploration of military writers.

关 键 词：新世纪十年 军旅长篇小说 个人化 通俗化 英雄话语 

分 类 号：I207.425[文学—中国文学]