汪野亭与刘雨岑瓷板画创作异同探赜  

Similarities and Differences between Wang Yeting and Liu Yucen of Porcelain Plate Painting Creation

作　　者：郑依晴[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《重庆三峡学院学报》2014年第6期67-70,共4页Journal of Chongqing Three Gorges University

摘　　要：汪野亭和刘雨岑同为珠山八友成员,两者分别以山水画和花鸟画见长,影响深远。以汪野亭、刘雨岑瓷板画为研究对象,在比较两者身份属性、师法对象、人生经历及审美追求的基础上分析其创作异同,认为其作品共性是兼具画工品格和文人品格,而技法上汪的逸笔草草与刘的兼工带写是其大异,并由此导致前者趋雅、后者向俗的风格差异,而这又大致代表了珠山八友乃至景德镇瓷板画创作的两种理路走向。Wang Yeting and Liu Yucen are both members of ＂Eight Friends of Zhushan＂, and are respectively proficient with landscape painting and bird-and-flower painting which is very influential. This paper takes Wang Yeting and Liu Yucen＇s porcelain plate paintings as research objects, analyses the similarities and differences of their creation based on the comparison of their identity, masters imitated, life experience and aesthetic pursuit. This paper holds that both of them have commercial painter＇s character and literati＇s moral character. However, the most distinguishing difference is that Wang＇s paintings has a free style while Liu＇s is featured with the unity of form and spirit, leading to the style difference that the former tends to be elegant and the latter vulgar. This difference can be regarded as the creation logic of the porcelain painting of ＂Eight Friends of Zhushan＂ and even Jingdezhen City.

关 键 词：汪野亭 刘雨岑 文人画 写实 写意 

分 类 号：J211[艺术—美术]