文学中心的南移与30年代文人“没海”的文化潜因  

Southward Migration of the Literary Center and the Cultural Reasons for the 1930s' Litterateur's Immersion in Shanghai

作　　者：丁颖[1] 

机构地区：[1]大连民族学院文法学院,辽宁大连116605

出　　处：《大连民族学院学报》2014年第6期632-635,共4页Journal of Dalian Nationalities University

基　　金：中央高校基本科研业务费专项资金资助项目(DC110401)

摘　　要：20世纪30年代,文化中心南移上海。上海以"梦工厂"的形式使源于都市的现实体验在文学上得到落实,一方面言明了中国现代的文化消费市场在上海的形成,另一方面也昭示着极具"现代质"的城市本身所承载的文化含量。通过阐释文学中心的南移,挖掘出30年代文人"没海"的文化潜因,从而完成对知识分子和城市关系的文化反思。In the 1930s, the literary center migrated southward to Shanghai. In the form of“Dream Works” in Shanghai, the practical experience originated from metropolis was implemen-ted in literature, which, on the one hand, indicated that the Chinese modern cultural consump-tion market was formed in Shanghai, and, on the other hand, expressed the cultures that the ex-traordinary modern city itself conveyed. By expounding the southward migration of the literary center, the paper probes into the cultural factors which contribute to the writers’ immersion in Shanghai, thus completing the cultural reflection of the relationship between intellectuals and city.

关 键 词：30年代 南移 文化潜因 

分 类 号：I0-05[文学—文学理论]