中国自由诗体的特征、韵律规范及百年流变  

Characteristics,Rhythm Specification of Chinese Free Verse and Its Centuries Rheology

作　　者：许霆 

机构地区：[1]常熟理工学院人文学院,江苏常熟215500

出　　处：《江汉学术》2015年第1期81-88,共8页JIANGHAN ACADEMIC

摘　　要：新诗自由体在百年诗坛的主导地位,是由其诗体本质特征所决定的。尊尚思想的自由和尊尚表达的自由,形成了自由诗体精神自由和形式自由的特质。但其自由是相对的,自由诗体也有自身的韵律规范,这种韵律不是传统的而是新创的,它把诗行作为基本节奏单元,把对等作为韵律建构原则。这种新韵律对诗歌读者惯常的感受方式的冲击很大,迫使他们形成新的阅读速度、语调音律和节奏预期。基于自由诗体的新韵律,我国诗人在百年创作过程中探索了说话式、抒唱式、诵读式、歌吟式和实验性等多种自由诗体节奏模式。百年新诗自由体的光辉发展历程和多种节奏形态,始终又是同自由诗体本身的精神自由和形式自由的本质特征密切联系着的。The dominance of free verse poetry in a hundred years comes from its poetic nature. Up holding the freedom of thought, of expression, free verse poetry formed its nature with free spirit and free style. But this freedom is relative, free verse also has its own rhythm specification, not traditional but new, which takes line it is as the basic rhythm unit, and takes the symmetry as the rhythm construction principle. This new rhythm of poetry forces their readers to form a new reading speed, tone and rhythm expectation. Based on the new rhythm of free verse, our poets have tried various styles just like speaking, expressing, reading, singing, testing and other styles in the creative process of a hundred years. Its develo- ping progress and various styles related to its nature of spiritual freedom and formal freedom.

关 键 词：新诗诗体 自由诗 新诗韵律 诗体特征 诗歌节奏 

分 类 号：I206.6[文学—中国文学]