光普之争——20世纪三四十年代评弹艺人生存状态的社会考察  

Competition Between Guangyu and Puyu Pingtan Societies:A Survey on the Living Conditions of the Chinese Pingtan Artists from 1930s to 1940s

作　　者：张盛满[1] 

机构地区：[1]中国美术学院社会科学教学部,浙江杭州310002

出　　处：《苏州教育学院学报》2014年第3期37-41,共5页Journal of Suzhou College of Education

摘　　要：20世纪30至40年代,光裕社与普余社(男女档)之间就争夺各自的生存空间引发了一场冲突,两者不仅各施其能,相互较量,还通过官方媒介来构筑自身的合法性,以图在这场对抗中占得先机。这场冲突一方面再现了当时评弹艺人们的利益关系与生活状态,同时也从一个微观角度显示了历史时空下的社会片段,并在某种层面上展现出了以评弹为载体的文化在时代演进过程中的历史流变。From 1930s to 1940s, there was a iferce competition for survival between the two Pingtan societies named Guangyu and Puyu in China. To win the upper hand, each party exerted its utmost abilities and even appealed to the of ifcial media to justif y its legitimacy. This competition vividly revealed the Pingtan artists’ living conditions as well as their conlficts of interests at that time. A close examination of this event shows the historical as well as the cultural changes implied in the art f orm of Pingtan.

关 键 词：评弹 男女档 光裕社 普余社 利益竞夺 

分 类 号：J826[艺术—戏剧戏曲]