走出人类中心主义的审美文本——生态美学视域中的台湾原住民文学  

Aesthetic Texts Away from Anthropocentrism: Taiwan's Aboriginal Literature in the Perspective of Ecological Aesthetics

作　　者：黄一[1] 

机构地区：[1]南开大学文学院中文系

出　　处：《南开学报（哲学社会科学版）》2015年第1期8-16,共9页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：中央高校基本科研业务费专项资金资助项目(NKZXB1467);天津市社会科学规划项目(Tjzw13-021)

摘　　要：台湾原住民特定的族群历史和文化心理,以及口传的文学传统,造就了其质朴的自然世界观,这种将人与自然交融在一起的世界观同时也是一种存在论意义上的自然观。在这种自然世界观的影响下,台湾原住民文学通过山林与海洋"场所"的独特视域,描绘了原住民与山林海洋相依相伴的本真生活,表现出生态审美的自然性、整体性等特征,呈现了特有的生态存在之美。作为走出人类中心主义的审美文本,台湾原住民文学对于生态美学、生态批评的建设性意义和价值不可低估。The unique tribal history and cultural psychology of Taiwan＇s aboriginal people together with their oral tradition result in their pristine natural worldview. This worldview, which brings human and the natural world into a perfect integration, is an ontological view of nature. Under the influence of this natural worldview, Taiwan＇s aboriginal literature, through its special treatment of places like mountains and oceans, depicts aboriginal people＇s life that is greatly involved with the mountains and oceans. This literature shows the natural and holistic features of ecological aesthetics, revealing a unique beauty in ecological existence. As aesthetic texts that are free from anthropocentrism, Taiwan＇s aboriginal literature＇s value in the building of ecological aesthetics and ecocriticism should not be underestimated.

关 键 词：台湾原住民文学 生态审美 存在论 自然世界观 

分 类 号：I206.7[文学—中国文学]