基于生态审美体验视角对康巴藏族生态文学研究  

A Study for the Kham Tibetan Literature from the Perspective of Ecological Aesthetic Experience

作　　者：李德虎[1] 

机构地区：[1]贵州工程应用技术学院人文学院,贵州毕节551700

出　　处：《贵州民族研究》2014年第8期141-145,共5页Guizhou Ethnic Studies

摘　　要：从自然审美到生态审美,从人与自然的"共通性"到"共融性",生态审美是自然审美"润化生命"功能的升华,更倾向于人与自然生态的"共生"、"共存"、"共荣"。青藏高原民族文化基因中与生俱来的"与自然和谐共处、永被恩泽"生态观,"欲取先予、永续利用"发展观,让"生态意识"深深的植入藏族文学之中。生态文学作为现代生态哲学与文学相结合的艺术形式,具备"整体化、动态化"属性。基于生态审美视域对康巴藏族生态文学作品的"生态观"进行梳理,可探求传统生态理念与当代生态文化在康巴藏族文学作品中的演绎脉络。From the natural aesthetics to the ecological aesthetics and from the＂intercommunity＂to＂harmony＂between man and nature,ecological aesthetics is the sublimation of the function of＂enrichment of life＂of natural aesthetics.It is also more inclined to promote the＂symbiotic＂,the＂coexist＂and the＂co-flourish＂between man and nature.The ecological view of inherent＂harmonious coexistence with nature,and ever be covered with boons from nature＂and the development concept of＂give first in order to take,and use sustainably＂in the gene of national culture of Tibet plateau make the＂eco consciousness＂deeply rooted in？Tibetan literature.As an art form combining modern ecological philosophy and literature,ecological literature has the＂integrated and dynamic＂properties.The carding of＂the ecological view＂in the Kham Tibetan literature from the perspective of ecological aesthetic experience can explore the interpretation context of the traditional ecological concepts and the contemporary eco culture in the Kham Tibetan literary works.

关 键 词：生态审美 生态审美体验 康巴藏族生态文学 

分 类 号：B83-0[哲学宗教—美学]