刍议语境论视域下科学方法与哲学方法的融通——基于艺术研究的考察  

The Coalesce of Scientific Method and Philosophical Method under the Horizon of Contextualism——the Discussion Based on Art Research

作　　者：黄建新[1] 王姝彦[2] 

机构地区：[1]山西大学音乐学院,太原030006 [2]山西大学科学技术哲学研究中心,太原030006

出　　处：《自然辩证法研究》2015年第1期115-119,共5页Studies in Dialectics of Nature

基　　金：教育部人文社会科学重点研究基地重大项目(10JJD720005);教育部新世纪人才支持计划项目(NCET-11-1035);山西省高校人文社科重点研究基地项目(2014301);山西省留学回国人员科研资助项目(2014-002)

摘　　要：作为人类理解和把握世界的三种方式,艺术、哲学与科学之间从诞生之初就具有内在的一致性和紧密的关联性,呈现出互为本质的折射关系。从方法论层面看,艺术与哲学及科学的联姻无疑推动了艺术研究的深化,但这种互动也在一定程度上导致了艺术哲学与艺术科学两种研究倾向的分野。面对艺术研究方法论存在的困境,必须超越哲学方法与科学方法的紧张和对立,一个可能的选择则是从语境论的视域出发寻求艺术研究方法论的突破与整合。As the three ways for human beings to understand and grasp the world, art, philosophy and science have internal consistency and the close correlation from the beginning of the birth, showing the nature of refraction each other. From the perspective of methodology, there is no doubt that the marriage of art, philosophy and science deepened the study of art. However, the interaction also led to the two kinds＇ of research tendency to a certain extent： philosophical and scientific research tendency. Facing up to the dilemma of the methodology of art research, we must surpass the tension be- tween the philosophical method and the scientific method, and seek breakthrough and integration of the research methods of art. In this sense, contex- tualism provide us a possible perspective.

关 键 词：科学 哲学 艺术 语境论 

分 类 号：N031[自然科学总论—科学技术哲学]