论现代作家自传的成长叙事  

On the Growth Narrative of Modern-Writer Autobiography in China

作　　者：雷莹[1] 

机构地区：[1]福建师范大学福清分校人文科学系,福建福清350300

出　　处：《西华大学学报（哲学社会科学版）》2015年第1期59-63,共5页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：福建省教育厅社会科学一般项目"现代自传的文体研究"(项目编号:JA13360S)

摘　　要：现代自传不仅关注传主是一个什么样的人,同时也关注传主是怎样成为这样一个人的,因此特别重视由少及长的人生经历和心路历程。童年叙事是现代自传区别于传统史传静态叙事的一个重要特点。在现代作家自传的叙事结构中,成长引路人成为重要的情节要素,母亲、兄长和精神导师往往承担着无可替代的叙事功能。在现代自传中,"出走"作为现代作家生活中具有重大转折意义的事件,成为能够代表作者阶段性成长的象征性的仪式。Modem autobiography concerns not only about what kind of a person the hero is, but also about how the hero becomes such a person. So they pay special attention to their life experience and spiritual path. Childhood narrative sets modem autobiography apart from the traditional static one. A pilot for growth, like, mother, brother, or spiritual mentor, is usually an important element of the plot, playing an indispensable role in the narrative. ＂Runaway＂ is usually a major turning point in the writer＇s life, a symbolic ritual for his growth in modem autobiography.

关 键 词：现代自传 童年叙事 成长引路人 成长仪式 

分 类 号：I206.6[文学—中国文学]