民族元素在中国原创音乐剧中的融合与运用——以音乐剧《五姑娘》为例  

Integration and Application of National Elements in Chinese Original Musicals—A Case Study of the Musical the Fifth Maid

作　　者：钱思舒 

机构地区：[1]浙江艺术职业学院

出　　处：《浙江艺术职业学院学报》2014年第4期70-73,共4页Journal of Zhejiang Vocational Academy of Art

摘　　要：近年来,音乐剧逐渐为中国大众所熟悉,诸多原创音乐剧纷纷呈现于舞台。在大众审美需求日趋多元的今天,探索中国原创音乐剧民族化之路,有助于中国音乐剧未来的生存与发展。音乐剧《五姑娘》的成功经验具有其自身价值和积极意义,对其中民族元素运用所进行的多维度分析,将对原创音乐剧探索民族化之路有所裨益。The musicals have gradually become familiar to Chinese in recent years with large numbers of original works emerging on the stage.At the present days when people’s aesthetic needs tend to be more and more diversified, to explore the nationalization of Chinese original musicals will benefit their future existence as well as development.The success of the musical the Fifth Maid has its own values and positive significance, and the dimensional analysis of its application of national elements will help explore the nationalization of our original musicals.

关 键 词：民族元素 原创音乐剧 《五姑娘》 

分 类 号：J822[艺术—戏剧戏曲]