“适我无非新”:朱光潜心理美学思想的局限性  

“New Ideas Fit Me Most”:Limitations of Zhu Guangqian's Psychological Aesthetic Thoughts

作　　者：孟姝芳[1] 

机构地区：[1]湖州职业技术学院人文旅游分院,浙江湖州313000

出　　处：《湖州职业技术学院学报》2014年第4期53-59,共7页Journal of Huzhou Vocational and Technological College

摘　　要：朱光潜在中国现代性转型的社会文化语境下构建起其独特的美学思想体系,开启了中国现代美学的研究之路。然而,由于东西文化的差异及特殊且复杂的社会文化语境,朱光潜心理美学思想的构建呈现出一定的局限性。这种局限性主要聚焦于其对西方现代美学及文化思想观念的"去语境化"的机械移植,由此破坏了其思想的整体性。Zhu Guangqian established his unique aesthetic ideology in the backgrounds of social and cultural transformation of the Chinese modernity.He opened up the road of Chinese modern aesthetics research.However,due to cultural differences and complex cultural context,Zhu Guangqian’s psychological aesthetics ideology presented some limitations which is mainly focused on the western modern aesthetics notions and the cultural concept of＂contextualization＂mechanical transplant,which destroys the integrity of its ideas.

关 键 词：朱光潜 心理美学 自主性 “去语境化”移植 

分 类 号：I206[文学—中国文学]