检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:李菁菁[1]
机构地区:[1]通化师范学院大学外语教学部,吉林通化134002
出 处:《台州学院学报》2014年第5期44-47,56,共5页Journal of Taizhou University
摘 要:英国浪漫派诗人长于借自然之象诉内心之情。《我漂亮的玫瑰树》、《一朵枯萎的紫罗兰》与《水仙》分别是浪漫派的起点诗人布莱克、"浪漫骑士"雪莱以及"湖畔派"代表华兹华斯的咏花诗。诗人在诗作中借花言情,借三朵"花"吐露出三种不同的爱情观。玫瑰树诉说了布莱克对爱情的忠贞信仰,他的情感世界是纯真的;紫罗兰寄托了雪莱对亡妻的缅怀,他的情感世界是浪漫的;水仙慨叹的是华兹华斯与爱人相思不得见的孤独,他的情感世界纯真的浪漫与浪漫的纯真兼而有之。English Romantic poets are masters of transmitting natural images into displaying their emotional images. A comparative analysis is undertaken to decipher the emotional world embodied in poems of flowers--" My Pretty Rose Tree","On a Faded Violet" and "I Wondered Lonely as a Cloud" respectively. Blake, as one pioneer of the English Romanticism, injected his belief in eternal love into the flower image "rose". Shelley, as the Romantic Knight, reminisced the death of his first-love by the flower image "violet". Wordsworth,the "Lake Poet" ,voiced his lovesickness and loneliness to the flower image "narcissus".
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.222