中国古代佛教造像对于社会审美活动意义的思考  

Thoughts of the Signifi cance of Chinese Ancient Buddhism Statues in Relation to Social Aesthetic Activities

作　　者：吕丽蓉[1] 

机构地区：[1]云南艺术学院文华学院美术系

出　　处：《雕塑》2015年第1期62-63,共2页Sculpture

摘　　要：佛教的传入,不仅给中国带来了思维方式的改变,还因其独特的视觉化的传播方式,为古代社会审美活动创造了一个巨大的平台。具有公共性质的佛教造像艺术,占据了中国古代雕塑艺术史的大幅篇章,其对于社会审美活动的意义,已远超出作为宗教传播手段的范畴。The introduction of Buddhism not only changed the thinking patterns of Chinese people but also created a huge platform for the ancient social aesthetic activities, due to the fact of its unique visualized mode of transmission. Buddhism statues which own the publicity had already occupied the main contexts of ancient sculpture art history in China, its aesthetical meaning in relation to social activities had already surpassed the religious communication category.

关 键 词：佛教造像 社会审美 公共艺术 视觉传播 

分 类 号：K879.3[历史地理—考古学及博物馆学]