广州市粤剧艺术博物馆建筑设计中的新博物馆学思考  

Thinking of New Museology in Architectural Design of Guangzhou Cantonese Opera Art Museum

作　　者：郭谦[1] 高伟[1,2] 李晓雪[1] 

机构地区：[1]华南理工大学建筑学院 [2]华南农业大学林学院

出　　处：《华中建筑》2015年第3期161-165,共5页Huazhong Architecture

摘　　要：该文基于新博物馆学的视野,探讨了新博物馆学对博物馆建筑设计的影响,并从文化空间的概念出发,探讨了非物质文化遗产类博物馆如何构建以传承为主要目标的新功能内涵,实现非物质文化遗产的可持续发展。以广州市粤剧艺术博物馆的设计作为案例,探讨新功能内涵的具体实现方式。该馆以岭南传统园林作为主要的空间特征,拓展了一般博物馆的服务对象和功能架构,以"展览、演出、教育、研究、公共参与、世俗生活"作为功能的六大板块。通过案例分析体现了在广州市粤剧博物馆的建筑设计中对新博物馆学的思考。Based on the vision of new museology, we discuss the impact on new museology on museum design. Starting from the concept of cultural space, we also discuss how the intangible cultural heritage museum constructs new functional connotation with the main goal of inheritance, and how to realize sustainable development of intangible cultural heritage. Taking the design of Guangzhou Cantonese Opera Art Museum as an example, we investigate the implementation mode of new functional connotation, The museum takes Lingnan traditional garden as main spatial characteristics and expands service ob]ects and functional frameworks of general museums, which has the function of exhibition, performance, education, research, public participation and secular life. The case study reflects the thinking of new museology in architectural design of Guangzhou Cantonese Opera Art Museum.

关 键 词：新博物馆学 非遗博物馆 文化空间 传承 广州市粤剧艺术博物馆 

分 类 号：TU242.5[建筑科学—建筑设计及理论]