鲁迅“还乡小说”的结构模式  

The Structure Mode in Lu Xun's Novels about the Return of the Native

作　　者：张春燕[1] 

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《海南大学学报（人文社会科学版）》2015年第1期75-81,共7页Journal of Hainan University （Humanities & Social Sciences）

基　　金：兰州大学"中央高校基本科研业务费专项资金"项目(13LZUJBWYJ007)

摘　　要：鲁迅的"还乡小说"系列中有一个稳定的结构模式:离乡者"我"的还乡结构中,内含着"我"与故人相遇的模式,通过陌生化的故人相遇场景暗示离乡者与在乡者的文化差异,将国民性纳入到启蒙话语框架中进行解释,同时以异己性的眼光反观认识到自我的身份焦虑;故人的讲述中含有一个内核性质的故事,言说着故乡生命形式的复制以及自我与传统的亲缘联系,是对国民性成因的追问;"我"与故事之间的情感阻断成为结构文本的主要方式,同时也是鲁迅的精神结构的文本形式。There is structure of ＂I＂ who a stable depa^s structure mode in Lu Xun＇ s novels about the return of the native. The returning from the hometown inherently contains the meeting mode of ＂I＂ and the old friend. The unfamiliar scene of meeting the old friend implies the cultural differences between one who departs and the other who stays, incorporating the explanation of national character into the framework of enlightenment discourse while reflecting to realize the identity anxiety of ego from the alien vision. The narration of the old friend contains a core story, telling the copy of the life form of the hometown as well as the kinship of ego and tradition, which constitutes the question about the causes of national story becomes the major means of the structural text, character. The emotional intervention between ＂I＂ and the and meantime the text form of Lu Xun＇ s spiritual structure.

关 键 词：还乡小说 结构模式 故人相遇 内核故事 情感阻断 

分 类 号：I210.6[文学—中国文学]