试论铜鼓文化圈  

ON THE CULTURAL CIRCLE OF BRONZE DRUMS

作　　者：万辅彬[1] 韦丹芳[1] 

机构地区：[1]广西民族大学

出　　处：《广西民族研究》2015年第1期109-115,共7页GUANGXI ETHNIC STUDIES

基　　金：国家社科基金项目"铜鼓文化保护继承和发展研究"(03BMZ016)

摘　　要：铜鼓是中国南方与东南亚古代文化的共同载体之一,自春秋时期铜鼓在云南由铜釜脱胎之后,于滇池地区逐渐发展成熟,继而传播到越南和川、渝、黔、桂、粤、琼等地,然后再传播至东南亚诸国。20世纪以来这些地区先后出土了大量铜鼓,这些地区基本上属于壮侗语族(侗台语族)生活的地区,铜鼓本身寄寓了丰富的稻作文化信息,在各地有着大致相同的社会文化功能,至今还不同程度存在着活态铜鼓文化。从文化圈的概念研判,上述地区可以看作是铜鼓文化圈,这一文化现象说明中国南方与东南亚自古以来便有着密切的文化与技术交流。As one of the common carriers of ancient culture in southern China and Southeast Asia, bronze drum derived from copper kettle dating back to the Spring and Autumn period in Yunnan area, de- veloped to amateur gradually in area of the Dian lake and then spread to areas of southern China and South- east Asia, such as Vietnam, Sichuan, Chongqing, Guizhou, Guangxi, Guangdong and Hainan. A large number of bronze drums have been unearthed successively in this region where peoples in the Kam -Tai languages live since the 20th century. Bronze drum bears rich information of rice - farming culture and play similar cultural function. Moreover, the live bronze drum culture still exists in these areas today. According to the concept of cultural study, this area witnessed close cultural and technical communication between southern China and Southeast Asia since ancient times and could be regarded as a cultural circle of bronze drum.

关 键 词：铜鼓 文化功能 文化圈 稻作文化 壮侗语族 

分 类 号：K874[历史地理—考古学及博物馆学]