解构之后何为——以绘画为例的后现代艺术批判  

After Deconstruction: on Post-modern Artistic Critique with Painting as Example

作　　者：王瑛[1] 

机构地区：[1]华南农业大学人文与法学学院,广东广州510642

出　　处：《社会工作与管理》2015年第1期83-87,92,共5页Social Work and Management

基　　金：广东省哲学社科规划项目"新时期以来西方叙事学本土化的理论与实践研究"(GD10CZW11)

摘　　要：在后现代主义思潮影响下的绘画艺术与传统绘画迥然相异。它们消解艺术和非艺术的界线,概念阐释大于作品本身的内涵,同时融和多种表现形式,以一种叛逆的姿态宣告艺术的另一种面貌,反映时代的和艺术的声音。后现代艺术之后的重构之路需要体现人的生命精神;需要邀约传统,在传统中领悟艺术的真谛;需要围绕人的生活和现实进行更深入的探索,以艺术自身表现源于和高于生活并充溢艺术精神的艺术。Painting art,under the influence of postmodernism,is much different from its traditional version.The former deconstructs the boundaries of art and non-art,featuring more on concept illustration than the connotation of the work itself,and blending various manifestations. In a gesture of rebellion it declared another face of art,reflecting the times and artistic voice. The reconstruction of art after postmodern art needs to embody the spirit of human life,combine the tradition and understand the true meaning of art in it,make more in-depth exploration around people's lives and reality,and use art itself to represent art which comes from life,is higher than life and is teeming with artistic spirit.

关 键 词：后现代艺术 艺术批判 现代美术 艺术重构 

分 类 号：J05[艺术—艺术理论]