宋代瓷器与宋代雅俗休闲文化  

Song Dynasty Porcelain and Song Leisure Culture

作　　者：李斯斌[1] 

机构地区：[1]四川师范大学美术学院,四川成都610101

出　　处：《湖北理工学院学报（人文社会科学版）》2015年第1期28-33,共6页Journal of Hubei Polytechnic University(Humanities And Social Sciences)

摘　　要：宋代始有官窑烧制瓷器,由此,宋代瓷器生产形成了官窑与民窑两种截然不同的风格。两种不同风格的瓷器,实则是宋代雅、俗文化的折射。以"定、汝、钧、官"为代表的官窑瓷器,装饰风格主要追求釉色的变化,其思想实则反映了宋代文人"道法自然"的审美标准;其器形追求秀美小巧,兼实用和欣赏两用,尤其是清供器、茶器、陈设器的大量出现,表明了宋代休闲雅文化中"玩物适情"的审美要求。而民窑器则更具有宋人休闲文化的世俗特征,其装饰风格多样,体现了南北迥异的审美趣味;其装饰题材多为世俗生活,折射出传统儒家以"仁、义、孝、悌"为基础的家国观念的休闲意识。Mandarin porcelain grew from Song dynasty, So porcelain production forms two completely differ-ent style, that one is mandarin kilns, and the other is civilian kilns.In fact ,two styles reflect different of el-egant culture and vulgar culture.As a representative of mandarin kilns system,such as ＆quot;Din kiln＆quot;＆quot;Ru kiln＆quot;＆quot;Jun kiln＆quot;＆quot;Guan kiln＆quot;, its adornment style mainly expresses the change of the glaze -color.Also, it reflects literati -aesthetic standards that is the nature of the Dao .The shape of Mandarin porcelain is slender and beautiful, So mandarin porcelain boasts both practical function and appreciation function .Especially, Buddhist porcelain , tea -porcelain and display -porcelain show aesthetic requirements of ＆quot;playing thing freely＆quot;in the song dynasty .Oppositely, the folk kilns have more ordinary characters in the leisure culture . Its diverse decoration displays the different aesthetic taste from north to South .As the secular culture, it re-flects the traditional Confucian＆#39;s basis leisure concept of filial piety virtue .

关 键 词：宋代瓷器 官窑 民窑 玩物适性 儒家 休闲文化 

分 类 号：G122[文化科学]