当前农村题材电视剧研究的三种模式及反思  

Research on the Rural Teleplays and Their Cultural Identities Under the Urbanizational Background

作　　者：杨文艺[1] 

机构地区：[1]宿州学院文学与传媒学院,安徽宿州234000

出　　处：《哈尔滨师范大学社会科学学报》2014年第3期158-161,共4页Journal of Social Science of Harbin Normal University

基　　金：2012年安徽省教育厅人文社科项目"城市化背景下的农村题材电视剧与文化身份研究"(SK2012B483);2011年宿州学院社科平台项目(2011yyb218)

摘　　要：当前,农村题材电视剧研究整体上可以分为艺术批评、商业批评和文化批评等三种模式。作为最早出现的农村剧批评模式,艺术批评因其对现实主义的空前关注引爆了农村剧创作与批评领域的"雅俗之争"。商业模式伴随着20世纪90年代中国市场经济和传媒产业化改革渐趋突显,但因其鲜明的实践指向和浓厚的功利主义色彩而回避了影像乡村与现实乡村之间的张力。新世纪以来,农村剧创作的现状和新农村建设的现实呼唤文化批评的热情介入。农村剧文化批评具有指导当代农村剧创作与批评的实践价值及对城市化背景下的新农村建设的认识论价值。Three modes can be defined as art and commercial and cultural criticism in current rural tele- play study on the whole. As the earliest rural teleplay criticism, art criticism has triggered out widespread dis- putes on the quality of current rural teleplays because of its unprecedented attention to the realistic. The busi- ness model has been growing up with China＇ s market economy and media industry reform . but it has ignored the discrepancy between the reality and imaginary country because of its distinctive practical orientation and strong utilitarianism. Since the new century, the reality of new rural construction and rural drama creation status enthusiastically calls for cultural criticism. Multiple values can be provided by cultural criticism, such as its guiding values to rural teleplay creation and television arts discipline construction, as well as its practical value on the construction of new countryside under the urbanizational background.

关 键 词：农村题材电视剧 艺术批评 商业批评 文化批评 

分 类 号：G22[文化科学]